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  • May, Maia, and the Image of Motherhood
    May 5, 2026 Attic Black

    May, Maia, and the Image of Motherhood

    May takes its name from Maia, a figure linked with growth, fertility, and the nurturing force of spring. This short article connects the ancient meanings of May with the extraordinary Sotades Tomb, found in nineteenth-century Athens, where a delicate cup showing a seated woman and child offers a quiet image of care, infancy, and the fragile hope of renewal.

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  • March by the Sea: Rockfish on the Ancient Fish Plate
    March 3, 2026 Attic Black

    March by the Sea: Rockfish on the Ancient Fish Plate

    March is a threshold month by the sea—when the light shifts, the coast feels alive again, and simple fish cooking returns to the table. This post revisits ancient Greek fish plates, especially the South Italian masterpieces of the 4th century BCE, with their painted seafood “menus” and spiny rockfish/scorpionfish forms. From the realism—and quiet humor—of these plates to the enduring taste of kakavia, one idea carries through time: the Mediterranean sea as everyday abundance, worthy of both art and appetite.

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  • February Find: The White-Slip Chian Chalice
    February 9, 2026 Attic Black

    February Find: The White-Slip Chian Chalice

    The White-Slip Chian Chalice
    An elegant drinking cup from Archaic Chios (6th century BC), the Chian chalice is defined by its high foot, refined proportions, and luminous white slip. Widely traded across the eastern Mediterranean, it became the signature vessel of Chian workshops and a symbol of early Ionian ceramic sophistication. This month, we reintroduce the Chian chalice through informed contemporary production, decorated by ceramicist Iphigenia Nalbani, following documented archaeological prototypes and traditional techniques—reviving a form where craft, knowledge, and restraint come together.

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